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Artspeak,

Artspeak

  • Kim Nguyen

    Director/Curator of Artspeak 2011–2016.

  • Samuel Roy-Bois

    Originally from Quebec City, Roy-Bois currently resides in Vancouver. He received his BFA from Université Laval in Quebec (1996) and a Masters Degree in Fine Arts from Concordia University in Montréal (2001). His installations have been shown across Canada and internationally. Solo exhibitions include Polarizer, Southern Alberta Art Gallery (2009), Let us, then, be up an doing…, Contemporary Art Gallery, Vancouver (2008); Divertissements, Point éphémère, Paris (2007); Improbable and ridiculous, Musée d’art contemporain de Montréal (2006); J’ai entendu un bruit, je me suis sauvé, Or Gallery, Vancouver (2003). He is currently artist-in-residence at Langara College, Vancouver.

Exhibitions

  • I had a great trip despite a brutal feeling of cognitive dissonance

    SAMUEL ROY-BOIS
    February 4–March 17, 2012

    Samuel Roy-Bois, I had a great trip despite a brutal feeling of cognitive dissonance, 2012. Street View

    Samuel Roy-Bois, I had a great trip despite a brutal feeling of cognitive dissonance, 2012

    Samuel Roy-Bois, I had a great trip despite a brutal feeling of cognitive dissonance, 2012

    Samuel Roy-Bois, <em>I had a great trip despite a brutal feeling of cognitive dissonance</em>, 2012

    Samuel Roy-Bois, I had a great trip despite a brutal feeling of cognitive dissonance, 2012

    OBJECTS REMAIN SPELLBOUND IN THE MERCIFUL SEPARATION OF SPACE, NO MATERIAL PART CAN COMMONLY SHARE ITS SPACE WITH ANOTHER, AND A REAL UNITY OF DIVERSE ELEMENTS DOES NOT EXIST IN SPACE.
    —Georg Simmel

    THE FORM OF A CITY CHANGES, ALAS, MORE RAPIDLY THAN A MAN’S HEART.
    —Baudelaire

    Artspeak is pleased to present I had a great trip despite a brutal feeling of cognitive dissonance, a new solo exhibition by Vancouver-based artist Samuel Roy-Bois. Reconfiguring and partitioning the gallery, the exhibition demonstrates the artist’s continued interest in the deconstruction of space. An enclosed living area—inhabited by a stranger free of charge for the duration of the exhibition—will be made private with no public access, its occupant given full authority over its usage. Paired with the built environment is a voice recording that furthers the gallery’s transformation into an intimate place of residence.

    Through concealment, the installation portrays a character with a double identity—the individual that we hear and try to visualize and the one that we will never see and may occasionally hear. By juxtaposing the viewer and the occupant’s respective experiences, Roy-Bois creates an uncanny moment in which they imagine each other, creating a new imagined reality. In addition to bringing forward notions of estrangement, space retribution, and struggles for power, the exhibition contributes to an ongoing discussion in Vancouver about how land in the city is divided, occupied, and used.

    Postscript 45: Michael Christie on I had a great trip despite a brutal feeling of cognitive dissonance (PDF)

Talks & Events

Artist Talk

SAMUEL ROY-BOIS
February 25, 2012

World Art Centre
, 2nd Floor
SFU Woodwards, 149 West Hastings Street
4PM

Artspeak is pleased to present a talk by Vancouver-based artist Samuel Roy-Bois, presented in conjunction with his solo exhibition, I had a great trip despite a brutal feeling of cognitive dissonance.