JAMIE BRYANT, LORRI HUBER MORICE, SABRINA KESKULA, SHIRLEE ROSS, AMY SWARZ, ROSE VAN DER GULIK
June 23–July 21, 1995
The curatorial intent of this project was to exhibit emerging artists whose work explores a view of the body—with an eye to the passages from excess to deficiency and presence to absence.
The artists are recent graduates of Emily Carr College of Art and Design (Sabrina Keskula and Amy Swartz) and the Okanagan University College (Jamie Bryant, Rose Van der Gulik, Lorri Huber Morice and Shirlee Ross).
The structure of the exhibition was formed by simply allowing a space where women could express ideas that pertain to how they deal with their bodies, whether through the imposition of beauty trends (a public image) or via a more internal, psychological state expressed through the fashioning of memory and emotion.
February 24–March 31, 1995
October 14–November 12, 1994
Curated by Andrea Fantona and Erin O’Brien
In Toronto, some time in 1990, I garbage picked a box containing subpoenas, indictments, testimonies, and evidence from a series of court hearings dated 1920. These official documents were all connected to the case of the alleged rape of an 18 year-old white woman from Duluth, Minnesota and the ensuing riot and brutal lynching of three African-American men at the hands of a white mob. Seventy years after the fact I had become witness to the murderous rallying power of the white mob in the name of protecting white womanhood. The graphic evidence from these trials, that blatant racism and common complicity of white men, women, and children, threw me into the vortex of all I had taken for granted, my whiteness. This was at a time when I was struggling to understand oppressive social constructions of my own identity as a woman and a lesbian. But what privileges and protections had I been afforded, raised in a white middle-class, Protestant family in a colony of Britain and what were the conditions and the costs of those privileges?
This multi-channel video installation is a presentation of my working process towards an interrogation of whiteness and provides a glimpse of some of the unedited source material, issues, and physical elements I am attempting to condense into a single channel video with the same title.
The television reports on the Business Bar raid and the MUC police shooting of Marcellus Francois are from Montreal, 1991-1992. Far from a phenomenon of the past, lynching is practiced today through disciplinary measures for crimes more often imagined than real, or through extreme punishments that far outweigh the reality of the crimes themselves.