Joni Low is a freelance writer whose work has appeared in exhibition catalogues and in publications such as Yishu, Ricepaper, Fillip and C Magazine. She is interested in the relationships between visual art and language, and in art that exists outside the context of conventional exhibition spaces—art that continues to de-stabilize and create new understandings of the contemporary experience.
November 26–January 28, 2012
Divya Mehra’s practice draws from experiences of displacement, cultural conventions, and hybridization, infusing a biting wit in the execution of her projects. Connecting political and religious icons with popular hip-hop culture, Mehra examines cross-cultural appropriations and the parallels between family tension and nationalistic conflict. Her work investigates the construction and misrepresentation of cultural identity while making reference to layered divisions and the disparity and exploitation of power. Engaging with decay, excess, and failed celebration, Mehra will present an exhibition comprised of new sculptural and photographic work and a performance by a local gospel choir.
Title: Quit India: Divya Mehra
Writers: J.J. Kegan McFadden, Kim Nguyen, Amy Fung, Natasha Bissonauth, Kendra Place
Editors: Derek Dunlop, Jessica Antony
Design: Lauren Wickware
Publisher: Platform, Artspeak
Year published: 2013
Binding: Perfect Bound
Features: Gold foil on brown cloth covers and spine
Dimensions: 21 x 13.5 x 1 cm
Weight: 216 g
Cost: out of print
Published in collaboration with Platform (Winnipeg), Quit, India, documents and elaborates upon Divya Mehra’s two solo exhibitions : The Party is Over, presented at Artspeak in 2011 and Turf War presented at Platform in 2010.