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Artspeak,

Artspeak

  • Marina Roy

    Marina Roy is Vancouver-based artist and writer whose work explores the intersection between language and visual art. She received her BA in French Literature at Université Laval, a BFA from the Nova Scotia College of Art and Design, and her MFA from the University of British Columbia. She has shown nationally and internationally, including the Vancouver Art Gallery, Contemporary Art Gallery, the Or Gallery Berlin, Gallery Sumukha, Chennai & Bengaluru, India, and Chisenhale Gallery, London. Roy was recipient of the VIVA award in 2010. In 2001 she published sign after the x (Artspeak/Arsenal Pulp Press), a book that revolves around the letter X and its multiple meanings. She is currently working on the next book, titled Queuejumping. She is Associate Professor of Visual Art at the Department of Art History, Visual Art and Theory at the University of British Columbia.

  • Lorna Brown

    Lorna Brown is a Vancouver artist, curator and educator. Since 1984 her work has been shown in exhibitions at Dazibao, Montreal; Presentation House Gallery, North Vancouver; Contemporary Art Gallery, Vancouver; Gallery 44, Toronto; Canadian Museum of Contemporary Photography, Ottawa; Taipei Fine Arts Museum; and Artspeak, Vancouver, among others. Her recent independent curatorial projects include Set and Group Search: art in the library. Director/Curator of Artspeak 1999–2004.

Exhibitions

MARINA ROY
March 17–April 21, 2001

This exhibition, titled with the punctuation “…”, takes as its central theme the medium of typography and the form of the book. A series of altered books, titled Thumbsketches sculpturally intervenes in familiar texts, evoking bodily memories of books as sensual and intimate objects. The artist has drawn on the cut ends of paperback editions of such tomes as Balzac’s Lost Illusions and The Complete Poems of Keats. When pressed behind plexiglas mounts, the drawings stretch and splay in animated shifts of perspective. The work leans upon and skews our associations of revered texts with irreverent, often scatological defacements.

A companion work, a large canvas titled The following…, uses hot foil stamped letters arranged in a grid. The text is taken from Michel Foucault’s Les mots et les choses wherein he describes the painting Las Meninas by Velasquez. One word flows into another without punctuation marks and new words are created in the process, breaking down the authority of the descriptive text. The canvas, similar in scale to Las Meninas, comments on the differences in the use of allegory in the 17th and 20/21st centuries yet similarly ’hides’ the subject as the central focal point of power.

Marina Roy has exhibited her work nationally and internationally since 1992 and her practice includes a wide range of media including sculpture, printmaking, painting, photography and bookworks. She holds a Master’s Degree in Visual Art from University of British Columbia and completed her undergraduate studies at Nova Scotia College of Art and Design. Prior to her study in visual arts, she received a Bachelor of Arts in French Literature from Universite Laval. Roy currently teaches in the Visual Art Program at the University of Victoria.