Melvin Moti (b. 1977) is a Rotterdam based artist who works primarily in film, as well as with sound and book works. His work has been shown widely in Europe, including solo exhibitions at the Stedelijk Museum Bureau Amsterdam; Galleria T293, Napoli; and De Ateliers, Amsterdam. His work has also been shown at the Wattis Institute, San Francisco; Palais de Tokyo, Paris; Baltic Triennial; and Witte de With, Rotterdam, among others.
September 8–October 13, 2007
Melvin’s Moti’s film practice finds a focus in the reconstructions of memories, whether reenacting the perambulating descriptions of surrealist sleep experiments or narrating the content and emotion of absent pictures. Moti’s 2004 No Show is a 24-minute film based on a guided tour given at the Hermitage Museum during the Second World War. Until 1944, the museum removed its collection of paintings and other artworks for safe-keeping, and its galleries were bare save for empty frames hanging on the walls. In 1943 a guide showed a group of soldiers through the vacant rooms, describing from memory the paintings in the Hermitage’s collection including works by Rembrandt and Fra Angelico. Moti presents this historic tour aurally, while the camera is trained on an empty gallery, a backdrop for the imagined works. Speaking to both individual and collective memory, particularly in the face of chaos and adversity, Moti’s film is a beautiful, spare work that evokes a complex subjective response. The film is accompanied by a small artist book of the same name that provides further research insights into the reconstructed event.
This exhibition has specifically been supported by the Vancouver Foundation and the Ramada Downtown Vancouver.
September 8, 2007
Artist MELVIN MOTI will discuss his exhibition No Show at Artspeak.
Category: Exhibition Catalogue
Artists: Melvin Moti, Kerry Tribe, Don Coltman, Kristan Horton, Jack Lindsay, Taras Polataiko
Writers: Melvin Moti, Susan Sontag, Juan A. Gaitán, Kathleen Ritter, Colin Browne, Althea Thauberger
Editor: Melanie O’Brian
Design: Courtenay Webber, The Future
Printer: Hemlock Printers, Vancouver
Year published: 2008
Binding: Perfect Bound
Features: 9 colour images, 3 b&w images
Dimensions: 18 x 11.5 x 1.2 cm
Weight: 148 g
Price: $6 CDN
Retrospect is an examination of the role of memory and imagination in the consideration of disaster. Memory, like history, is subjective and unfixed; the records of both are dynamically unstable, constantly shifting and informed by the present. Imagination—in this case the imagination of disaster—reflects anxiety and unsettles the present. In its representation, disaster is imagined both retrospectively and prospectively, as a memory and as a fear. However, it has been argued that imagining future catastrophes is impossible in that we can only circle back to what is known; we model these cataclysms on what has already occurred. In this way, disaster is always represented in hindsight, even in the sci-fi realms of the future.
Retrospect brings together visual reproductions of the work in three Artspeak exhibitions held in 2007, two new texts by artist Melvin Moti and art historian/curator Juan A. Gaitán, as well as a reprinted Susan Sontag essay to address the themes of memory, reenactment and disaster. The images are from exhibitions of work by Melvin Moti, Kerry Tribe, and On the Beach (Don Coltman, Kristan Horton, Jack Lindsay and Taras Polataiko). The publication also includes reprinted Postscript texts for the above exhibitions. Postscript authors are Colin Browne, Kathleen Ritter and Althea Thauberger.