Ana Rewakowicz is an interdisciplinary artist born in Poland of Ukrainian origin; she now lives in Montréal. She works with inflatables and explores relationships between temporal, portable architecture, the body and the environment. She has exhibited nationally and internationally including solo exhibitions at YYZ, Toronto; Optica, Montréal; Khyber Centre, Halifax; Museé du Québec, Québec City; and Assembly Gallery, Glasgow, Scotland.
LUIS JACOB, KELLY MARK, CORIN SWORN, KARA UZELMAN
October 23–November 27, 2004
The second exhibition in the Spill series, Meniscus, features four artists working with the residual mass and indivisible remainder of everyday life through strategies of repetition and reenactment. Exploring the permeability of materials, spaces and systems of containment, these artists make tangible the impulse to shore up the arbitrary boundaries between spaces and concepts, and conscious and unconscious behaviours. In addition, Ana Rewakowicz will inhabit an inflatable latex room (cast from her home in Montréal) during the opening of Meniscus. Rewakowicz is travelling across Canada with her room.
Luis Jacob gives character to the shapeless community of isolated individuals consuming waves of spam advertising that arrive at their computer terminals. Just Do It! transposes the litany of failed transformations promised by products marketed through the internet into ‘worldly’ architecture.
Kelly Mark uses her own ‘will to order’ to investigate potential moments of individuation that leak out of the repetitive, obsessive tasks of the day to day. I Really Should is a recorded list of one thousand things the artist really should do. From eating more fibre or taking more chances to cleaning the litter box, this verbal collection of one thousand things permeates the gallery’s architecture.
Corin Sworn examines how contemporary popular culture showcases models of the private sphere rendering them as symptoms of an ideal interiority. Sworn begins with Lissitzky’s 1926 design of a room to display Russian art. Inverting Lissitzky’s model of an interior intentionally designed as a public stage set, Sworn investigates models of interiority prepared to receive the viewers imaginings of a private living space.
Kara Uzelman explores the urge for accumulation in performance and sculpture. In a hotel room all the furniture is in a heap, cast-off clothing in her bedroom is sewn together in a lump, in a park all the dogs are corralled into a camera viewfinder. Interested in piling and purging, Uzelman has worked with an entire garage sale, purchasing and inhabiting the remnants of a stranger’s discarded physical existence.
The Spill series has been supported by the Vancouver Foundation, the Canada Council for the Arts, the Province of British Columbia through the British Columbia Arts Council and The City of Vancouver.
Traveling with My Inflatable Room
October 22, 2004
6–12pm, Interurban, 9 East Hastings Street
Presented with the Portland Hotel Society and Interurban, in conjunction with the exhibition Spill 02: Meniscus at Artspeak.