Sameer Farooq is a Canadian artist of Pakistani and Ugandan Indian descent. With a versatile approach that shifts between sculpture, photography, documentary film, and anthropological methods, he investigates strategies of representation to expand the ways through which museums have looked at the past through traditional forms of collection, interpretation and display. Farooq foregrounds community-based models of knowledge production and an array of contemplative practices in order to suggest new ways of narrating our cultural histories. Farooq has held exhibitions at institutions around the world including Susan Hobbs (2022); Koffler Gallery (2021); Patel Brown Gallery (2021); Lilley Museum, Nevada (with Jared Stanley, 2019); Aga Khan Museum (2017); Institute of Islamic Culture, Paris (2017); Contemporary Art Gallery, Vancouver (2016); The British Library, London (2015); Maquis Projects, Turkey (2015); Artellewa, Cairo (2014); and the Art Gallery of Ontario (2011).
Reviews dedicated to his work have been published by Art Forum, Canadian Art, The Washington Post, BBC Culture, Hyperallergic, Artnet, The Huffington Post, and C Magazine.
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‘BEACON – a pamphlet series in ten issues’ focuses on how the commitment of artists’ to wider social movements informs contemporary artistic practice. The series will feature texts by artists whose practices engage with language and visual arts.