T’uy’t’tanat – is an indigenous plant educator and interdisciplinary artist of Skwxwu7mesh, Sto:lo, Metis, Hawaiian, and Swiss heritage. She has extensive experience producing various formats of media art for almost 30 years, and works as an ethnobotanist with traditional training by Indigenous elders. Cease combines culturally focused teaching with storytelling as a means to share knowledge. She recently co-authored Journey to Kaho’olawe, covering more than two centuries of the Kanaka family’s migration to the Pacific Northwest coast, and was also a recipient of the City of Vancouver Mayor’s Arts Award for film and new media in 2010. Among her long list of artist residencies and presentations is the Stanley Park Environmental Art Project, where she helped create public artworks after a storm devastated Stanley Park in 2006. Cease was the Vancouver Public Library’s Indigenous Storyteller in Residence in 2018. She is currently working in collaboration with artist Anne Riley on a project titled A Constellation of Remediation, toward creating Indigenous gardens in vacant gas station lots in the city, commissioned by the City of Vancouver’s Artist Initiated Projects Public Art Program.
June 14–July 27, 2019
With Egan Davis, Anne Riley, T’uy’t’tanat Ceass Wyss, Melissa West Morrison and Marika van Reeuwyk of the Environmental Youth Alliance, Sepideh Saii, Daniel Negatu, and brothers Frank and Dance Williams.
Situated a short distance from Artspeak at the corner junction of Carrall, Water, Alexander and Powell Streets was formerly the site of Maple Tree Square. Laiwan takes the historic site of the Square as a starting point for her research project Maple Tree Spiral: the pedagogy of a tree in the city. The original Maple Tree no longer stands, and instead a statue of ‘Gassy’ Jack Deighton. As a site where one of the first city council meetings of the settlement of Gastown was held, Laiwan considers how Maple Tree Square is a space of convergence.
Maple Tree Spiral is a research project studio residency that will remain in process over time in the gallery, being shaped through events and activities with a number of contributors and with a practice dedicated to a wider understanding of trees as a way to reorient and reconfigure how we inhabit the city and urban environment. During this time at Artspeak, Laiwan will present several works informed by her research, as well as a place to share people’s tree stories, and a site of gathering for events that will take place over the course of the project.
Laiwan’s interdisciplinary research maintains a rhizomatic methodology proximate to Donna Haraway’s assertion of a deeply embodied praxis that lends itself to better comprehending and articulating multispecies sociality. Haraway has frequently spoken of the ‘… need for other kinds of stories’, particularly ones that draw attention to the relationship between human and non-human forms living alongside one another. Put simply, to shift our focus and attend to what is already there. Maple Tree Spiral draws upon what is not immediately perceptible in our urban environment.
When we first began speaking about Maple Tree Spiral, Laiwan sent me an image of Goethe’s Oak, followed by an image from her work ‘C A V E: C A V E A T’ of an engraved print of a large tree in a labyrinth. Within the labyrinth are people actively conversing; and in close proximity a Minotaur is seen digging the earth, as if trying to get out. We know this image to be a depiction of The Labyrinth of Crete from Greek mythology. Central to many stories of trees is their role as monuments both mundane (as wayfinding markers) to that of bearers of knowledge, as witnesses, and integral to philosophical and religious concepts. During my year of correspondence with Laiwan, our line of questioning around trees in the city would incrementally shift to an attentiveness of the trees we live alongside. Informed by a site-specificity in her research and practice, Maple Tree Spiral questions the narratives we are attuned to, the ones that we want to deviate from, and the ones we want to write and hear.
Meeting with several individuals and organizations over the course of a year, Laiwan started to build an informal constellation and network of relationships with the objective of how to better care for trees in our immediate environment. Laiwan describes the building of these relationships and partnerships between human and non-human forms as a process of ‘sympoiesis’ – collectively created, produced and organized, without a central node. Another term, which nuances the decentralized nature of entangled relationships that Laiwan has mentioned, is ‘holobionts’ – assemblages of different species that remain in progress and are highly interdependent. Maple Tree Spiralfosters entangled ways of knowing that allow for a reading and writing that incites other ways of living and imagining the world.
Laiwan would like to thank Hannah Doyle, Mae Stark, Marc Hanson, Cynthia Low, Britannia Community Centre, Sharon Bayly, Mrs. Chin Kow Chung, Harmony Gardens X̱wemelch’stn pen̓em̓áy, City of Vancouver Arborists Troy Hudson, Jeff D’Altroy and Terry Marshall, Karen Henry, Douglas Justice, Dana Cromie, Dan Guinan at the Native Education College, and the BC Arts Council.
Stories of Trees from Ethiopia and Iran
DANIEL NEGATU, SEPIDEH SAII
July 6, 2019
Please join us July 6 at 2pm for more stories about trees and the reception for “Maple Tree Spiral”.
DANIEL NEGATU is an artist born and raised in Addis Ababa, Ethiopia and is now based in Vancouver. His time-based photographic works have been exhibited in Ethiopia, South Africa, Burkina Faso, United States, France and Canada. His interest and research considers the convergence of indigenous African/Ethiopian mediums with technological driven forms such as cinema, photography, VR and AR in order to create new ways of telling stories, engaging audiences to foster community values.
SEPIDEH SAII is an artist based in Vancouver. Her work has been shown in galleries and film festivals throughout Europe, Canada, the United States, and Japan. In 2014, she exhibited her film, “Behind the Scene”, at Whitechapel Gallery alongside artists Shirin Neshat and Bill Viola. Saii has extensive experience teaching film production at Simon Fraser University, Emily Carr University of Art Design, and the University of Oregon. In 2009, she received her MA in Fine Art Media at UCL’s Slade School of Fine Art in London, England.