Susan Sontag (b. 1933) is an extensively published American writer who contributed to many fields including art history, fiction, philosophy, cultural criticism, film and theatre. Her publications in fiction and non-fiction include Regarding the Pain of Others (2003), In America (2000), The Volcano Lover (1990), Illness as Metaphor (1978), On Photography (1977), Against Interpretation and Other Essays (1966), Death Kit (1967), and The Benefactor (1963). She also wrote and directed four films Unguided Tour (1983), Brother Carl (1978), Promised Lands (1974), and Duet for Cannibals (1969). She died in 2004.
Category: Exhibition Catalogue
Artists: Melvin Moti, Kerry Tribe, Don Coltman, Kristan Horton, Jack Lindsay, Taras Polataiko
Writers: Melvin Moti, Susan Sontag, Juan A. Gaitán, Kathleen Ritter, Colin Browne, Althea Thauberger
Editor: Melanie O’Brian
Design: Courtenay Webber, The Future
Printer: Hemlock Printers, Vancouver
Year published: 2008
Binding: Perfect Bound
Features: 9 colour images, 3 b&w images
Dimensions: 18 x 11.5 x 1.2 cm
Weight: 148 g
Price: $6 CDN
Retrospect is an examination of the role of memory and imagination in the consideration of disaster. Memory, like history, is subjective and unfixed; the records of both are dynamically unstable, constantly shifting and informed by the present. Imagination—in this case the imagination of disaster—reflects anxiety and unsettles the present. In its representation, disaster is imagined both retrospectively and prospectively, as a memory and as a fear. However, it has been argued that imagining future catastrophes is impossible in that we can only circle back to what is known; we model these cataclysms on what has already occurred. In this way, disaster is always represented in hindsight, even in the sci-fi realms of the future.
Retrospect brings together visual reproductions of the work in three Artspeak exhibitions held in 2007, two new texts by artist Melvin Moti and art historian/curator Juan A. Gaitán, as well as a reprinted Susan Sontag essay to address the themes of memory, reenactment and disaster. The images are from exhibitions of work by Melvin Moti, Kerry Tribe, and On the Beach (Don Coltman, Kristan Horton, Jack Lindsay and Taras Polataiko). The publication also includes reprinted Postscript texts for the above exhibitions. Postscript authors are Colin Browne, Kathleen Ritter and Althea Thauberger.