Andrea Fatona is an independent curator and an associate professor at OCAD University. She is concerned with issues of equity within the sphere of the arts and the pedagogical possibilities of art works produced by “other” Canadians in articulating broader perspectives of Canadian identities. Her broader interest is in the ways in which art, “culture” and “education” can be employed to illuminate complex issues that pertain to social justice, citizenship, belonging and nationhood. She is the recipient of awards from the Canada Council for the Arts, the Ontario Arts Council and the Social Sciences and Humanities Research Council of Canada. Fatona has published scholarly articles, catalogue essays and book chapters in a range of publications.Some examples of her curatorial projects include: Queer Collaborations (1993), Across Borders (1995/6), Cadboro Bay: Index to an Incomplete History (1999), The Attack of the Sandwich Men (2001), Reading the Image: Poetics of the Black Diaspora (2006-2008), Fibred Optics (2009-10), Will Work for Food (2011), Land Marks (2013-14) and Settling in Place (2018).
The Flotilla Tortilla
February 24–March 31, 1995